The Films of Camille Billops and James Hatch

Camille Billops (1933-2019) was a fearless filmmaker, artist, sculptor, historian, archivist, and staunch supporter of Black art and artists. Billops came into her own within the converging contexts of the 1960s civil and human rights struggles, New York’s emerging Black artists movement, and her personal struggles for affirmation. Her work is autobiographical, interpretive, and challenging. Without apology, she successfully drew from her life’s experiences, her education, and her observations of the world around her to carve out a space for her voice to be heard. She and her husband James made their loft in SoHo a hub for artistic collaborations, collecting thousands of books, documents, photographs, and ephemera related to Black culture. They held salons with Black artists, performers, and musicians, and recorded more than 1,200 oral histories, which were published in an annual journal called Artist and Influence.

James V. Hatch (1928-2020) was a historian of Black theater who taught English and theater at the City College of New York for three decades. He has written and co-written more than a dozen books, including "The Roots of African American Drama: An Anthology of Early Plays, 1858-1938" (1990), which he edited with Leo Hamalian, and "Sorrow Is the Only Faithful One: The Life of Owen Dodson" (1993), about the titular Black poet and playwright.

To learn more about the Billops-Hatch archives, visit Emory University's Still Raising Hell online exhibit .

This poignant documentary profiles a young Black woman—Billops' niece Suzanne Browning—as she confronts a legacy of physical abuse and its role in her descent into substance abuse. Family remembrances reveal the truth behind her addiction: Suzanne and her mother were victims of domestic abuse at the hands of the family patriarch. Suzanne is compelled to understand her father's violence and her mother's passive complicity, who suffered at her husband's hands as well, as the keys to her own self-destruction. After years of silence, Suzanne and her mother are finally able to share their painful experiences with each other in an intensely moving moment of truth. Watch Trailer.

"Remains one of the most powerful documentaries of domestic life."

Through interviews and dramatizations, this taboo-shattering film offers a touching and often humorous look at social attitudes toward relationships between older women and younger men. The filmmakers are involved on both sides of the camera as they direct their multiracial cast in an insightful profile of older-younger relationships, while their subjects are candid and comfortable discussing the joys and problems of loving someone of a different generation. Watch Trailer.

"Dispels myths about the type of sexual life older women enjoy... focusing on strong women who battle to get their way and who also pay the price by taking risks..."

This startlingly personal documentary presents a moving yet unsentimental view of motherhood and adoption. It explores the feelings surrounding the reunion of a young woman with her birth mother twenty years after being given up for adoption. The reunion is between filmmaker Camille Billops and her own daughter, Christa. Facing the re-encounter with mixed emotions, Billops interrogates her family and friends as well as her own motivations. The result is an original and daring work that challenges social biases about adoption and offers new insight into mother-daughter relationships. Watch Trailer.

"Full of expressions of sponteneous emotion, it is terrifically artful..."

"For Camille Billops, autobiography is a means to a new black documentary style."

Camille Billops and James Hatch trace the ways in which Americans have tried to ignore, deny, suppress, contain, tolerate, legislate, mock, and exploit racial discrimination within the United States. Like a modern-day Virgil and Dante, they drive, cajole, and lead their cast through a tour of the contemporary landscape of racism.Watch Trailer.

Best Docu-Drama, National Black Programming Consortium / Black Public Media (1994)