Film Image
Sweet Sugar Rage
1985
Color
45 minutes
Jamaica
English
Trailer and More

Sweet Sugar Rage

A popular Jamaican women's troupe uses improvisation and theater as consciousness-raising tools for both rural and urban audiences. Their performances speak directly to the daily experiences of women--the least empowered workers, who labor long hours for low wages with no benefits or rights to organize for better conditions. Using role-play and interviews with female cane workers, the collective develops dramatizations which analyze social issues and pinpoint their concerns.
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Reviews
"takes an active political stance on women's oppression in working-class communities." - Ute Buesing, The City Sun
"[The] film shapes a generalised image of the conditions of low pay, burdensome hard work, isolation and powerlessness of women within a patriarchal system, in this instance exemplified by the Sugar Cane Belt and its system of management. But it leaps beyond this to a demonstration of the strenght of women... In Sweet Sugar Rage the view is from the inside and unlike earlier documentaries that imaged the Caribbean as a place of consumption, and as an object of the gaze in ways too diverse to mention here, the camera seeks here to give a truthful representation of the actual lived existence of the Caribbean woman in one of her many faces. It attempts to show what it truly means to be a working class Jamaican woman working in the cane fields in the nineteen eighties." - Jean Antoine-Dunne, The University of West Indies, Caribbean Studies Journal
Screenings
• Anthology Film Archives

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TWN acknowledges that in New York we are on the unceded territory of the Lenni Lenape, Canarsie, Shinecock, and Munsee peoples and challenges the harm that continues to be inflicted upon Indigenous and People of Color communities here and abroad, which is why we all need to be part of the struggle for rights, equality and justice.

TWN is supported in part by the National Endowment for the Arts, New York State Council on the Arts, New York City Department of Cultural Affairs, Color Congress, MOSAIC, New York Community Trust, Peace Development Fund, Humanities NY, Ford Foundation, Hollywood Foreign Press Association, and individual donors.